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Cimarron

Edna Ferber

1930

(The Oklahoma land rush of 1889 gives Yancey Cravat an opportunity to rescue his wife from civilized mediocrity, and head west for the untamed life of the pioneer.)

Oklahoma Land Rush 1893, by contemporary Chinese-American painter Xiang Zhang. This painting can be found in his online gallery.

Yancey Cravat is the Cimarron—the wild one, like an aimless river or a jousting bighorn sheep. He may tote legal volumes as easily as a gun, and be as quick with a Shakespeare quote as with a trigger; and yes, he’s a lawyer and the editor of a socially active newspaper… but this is no milktoast city boy. This is Buffalo-Head, the tall, gruff, steel-eyed pioneer for whom three years in the same place or a single day without some sort of risk or conflict is evidently his idea of hell. And, no doubt, the wife of such a one is bound to be some kind of woman: Sabra, a sharp, spirited, strong, self-sufficient saber of a woman. In fact, although most assessments of this book will tell you that its permanence lies in its presentation to the world of the unforgettable Yancey Cravat, who is it that ties the book together? Whom does the narrative follow, when Yancey’s itchy traveling bone takes him to Alaska or the Spanish-American war? Not him, but the determined, toiling Sabra. Granted, she lacks the explosive flash of her husband–her way is much too pragmatic to put her in much danger or make her many enemies.  But she is really the central character of the book, the one who grows, the one who succeeds in adapting herself to the various jolting cultural shifts that get thrown into her path by the errant Yancey, or by her son, or by the discovery of oil.  At first entry into the fledgling land rush town of Osage, Oklahoma, fresh from the overprotection of her family the proper Venables of Wichita, she breaks into sobs when kissed by a stranger on the street. But give her eight or nine years, and she’s riding in the middle of the night into an Indian reservation during a mescal ceremony and demanding that her unconscious son be thrown onto her cart so she can bring him home. But of course, yes, we do want to hear about Yancey, despite… or maybe partly because of… his refusal to stick around. He’s idealistic, imposing, and indomitable. Take one particular tent meeting, for instance: in the course of giving a sermon, he manages to work in a self-defense killing—yes, the actual killing, not the story of a killing. And when warned that his pro-Indian editorials are going to get him killed, his reply is simply the unearthly death-scream of the Cherokee. (more…)

Pliny’s Letters

Pliny the Younger

97-109 AD

(A wealthy lawyer reveals his personality and attitudes, and the way of life in Imperial Rome.)

Pliny the Younger and his Mother at Misenum, 79 AD, by Angelica Kauffmann (1785). Here Pliny dictates his most famous letter as he and his mother observe the eruption of Vesuvius. This painting is in the Princeton Art Museum.

Many of us are acquainted with, or at least aware of, a certain species of lawyer, politician, or businessman.  At first we notice the more grating aspects of his personality.  He is near the top of his game, and can barely see beyond his own prosperity.  He knows a whole lot of people, many of whom are famous, and somehow he reminds us of this in nearly every conversation.  He loves to talk of his success stories, his valuable properties, praise he has received, and difficult decisions or tight places from which he has emerged victorious.  He is sensible of the fact that his reputation is what keeps him successful, and he has become entrained on reputation to such an extent that the development of it is unabashedly the single guiding force in his life, the basis upon which he makes all significant choices.  Maybe this trait lurks in of all of us to some extent, but what our bold tycoon doesn’t often realize is that so ardently exhibiting a concern for reputation can actually harm your reputation.

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