(Tom really wants to be good for the sake of his love Sophia, but his nature keeps getting in the way!)
Albert Finney as Tom Jones, and Susannah York as Sophia Western, in Tony Richardson’s 1963 film adaptation. Courtesy of the British Film Institute.
It is prudent to be morally pure– there can be weighty unseen consequences to any moral failure. Fielding’s signature novel has this ponderous theme, and yet manages not to be at all heavy-handed but funny, colloquial, at times bawdy, ironic, rollicking. The theme is kicked here and there and tossed around like a ball, but it is pervasive nonetheless: throughout this History of Tom Jones, A Foundling, from his birth to the point at which he finally comes to the beginning of what promises to be a good and happy life with Sophia, all of Tom’s sundry dilemmas and anguishes are a result of his own moral weakness. Although an otherwise upstanding and honorable individual, poor Tom cannot seem to surmount two kinds of temptation: to lust and to folly. He repeatedly places himself into compromising situations with women that– even if Fielding’s presentation of them makes us smirk– only prove disastrous to him through his family or his beloved. Also, to achieve his goals he often resorts to schemes that involve some deceit; they always backfire on him in the worst way imaginable. We see Tom, and rightly so, as a victim of Fortune throughout the book; but he lays himself open to Fortune’s whims by his actions, and so he has lured his own fate. No elements of the plot of this book are foreign to this theme.
(A wealthy lawyer reveals his personality and attitudes, and the way of life in Imperial Rome.)
Pliny the Younger and his Mother at Misenum, 79 AD, by Angelica Kauffmann (1785). Here Pliny dictates his most famous letter as he and his mother observe the eruption of Vesuvius. This painting is in the Princeton Art Museum.
Many of us are acquainted with, or at least aware of, a certain species of lawyer, politician, or businessman. At first we notice the more grating aspects of his personality. He is near the top of his game, and can barely see beyond his own prosperity. He knows a whole lot of people, many of whom are famous, and somehow he reminds us of this in nearly every conversation. He loves to talk of his success stories, his valuable properties, praise he has received, and difficult decisions or tight places from which he has emerged victorious. He is sensible of the fact that his reputation is what keeps him successful, and he has become entrained on reputation to such an extent that the development of it is unabashedly the single guiding force in his life, the basis upon which he makes all significant choices. Maybe this trait lurks in of all of us to some extent, but what our bold tycoon doesn’t often realize is that so ardently exhibiting a concern for reputation can actually harm your reputation.
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Tom Jones
June 4, 2014 / Leave a comment
Henry Fielding
1749
(Tom really wants to be good for the sake of his love Sophia, but his nature keeps getting in the way!)
It is prudent to be morally pure– there can be weighty unseen consequences to any moral failure. Fielding’s signature novel has this ponderous theme, and yet manages not to be at all heavy-handed but funny, colloquial, at times bawdy, ironic, rollicking. The theme is kicked here and there and tossed around like a ball, but it is pervasive nonetheless: throughout this History of Tom Jones, A Foundling, from his birth to the point at which he finally comes to the beginning of what promises to be a good and happy life with Sophia, all of Tom’s sundry dilemmas and anguishes are a result of his own moral weakness. Although an otherwise upstanding and honorable individual, poor Tom cannot seem to surmount two kinds of temptation: to lust and to folly. He repeatedly places himself into compromising situations with women that– even if Fielding’s presentation of them makes us smirk– only prove disastrous to him through his family or his beloved. Also, to achieve his goals he often resorts to schemes that involve some deceit; they always backfire on him in the worst way imaginable. We see Tom, and rightly so, as a victim of Fortune throughout the book; but he lays himself open to Fortune’s whims by his actions, and so he has lured his own fate. No elements of the plot of this book are foreign to this theme.
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