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(A sage in medieval Iceland attempts to restore order in the face of bloody vengeance and warrior’s honor)
Detail from Gunnar at Rangá, an illustration of an event in Njáls Saga by Andreas Bloch (1898). This drawing originally appeared in Vore fædres liv: karakterer og skildringer fra sagatiden, or Our Fathers’ Life: Characters and Scenes from the Age of Saga, by Nordahl Rolfsen.
The mighty deeds of a free people in struggle are frequently represented in timeless literature—such stories will never go stale. Whether tossed on the stormy Mediterranean, afoot in the forests and scrublands of India, or galloping through prairie grasses among stalwart buttes in the American West, there is something deeply inspiring about a small people forging a life in the face of privation, violence, and treachery. We who live in the comfort of civilization can be tempted to think that a reasonably stable government and the rule of law are guaranteed, automatic, assumed. Or, even if we endure corruption, are wary of the tyranny or selfishness of our leaders, or have suffered at the hands of criminals, we are among millions and are likely to see ourselves as puny actors on an immense stage—what can we possibly do?! How fascinating, then, are the tales of those who managed to defend some fragile order amidst a storm of chaos—those whose survival was assured not by the actions of others, whether their venerated ancestors or soldiers on distant front lines, but by themselves: by the wisdom of their own minds, the words that passed through their own lips, and the swords that hung from their own belts. The Icelandic Sagas—the Íslendingasögur—are epic narratives of this very sort. A man in the Age of Saga, so we are told, could cut his own destiny, no matter what coarse fabric sought to hem him in. And a woman could make the best of things by controlling the men. Anyone who wishes to see how this sort of lifestyle could play out can do no better than to read Njáls Saga (or, in the alternative title that is at once a spoiler, the Saga of Burnt Njál). The professionals tend to consider this the greatest and most well-developed of the 40 or so Icelandic Sagas that were written in the 13th-14th centuries. Whatever the critics say, here we certainly find hefty measures of all the most engaging ingredients in that genre: the bloody swinging of swords and thrusting of spears, the uncompromising defense of honor, the defiant challenge of the sea, the tenuous rise of God over the idols and of Law over bloody feuds, the disastrous fruits of pride and envy, the sly instigations of women, the mystic power of prophecy and fate, the iron duty of loyalty, and the deathgrip of revenge!